Cicely Mary Barker The Complete Book Of The Flower Fairies An Overview Of The Great Illustrators Of the 18th, 19th And 20th Century

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An Overview Of The Great Illustrators Of the 18th, 19th And 20th Century

The stunning works of the great illustrators of the 18th, 19th and early 20th centuries have always been a great source of inspiration for a huge number of people around the world, but most believe that buying original prints from these masters is just a distant thing. a dream.

Thomas Allom (c. 1840, flourished 1804-1872)

He was a topographical illustrator from London who traveled throughout Europe studying buildings and monuments to document as illustrations for tourist guides. His drawings were published as steel engravings in books such as Robert Walsh’s Constantinople and the Landscape of the Seven Churches of Asia Minor (1838) and Emily Reeve’s Character and Costume in Turkey and Italy.

William Henry Bartlett (c. 1839-1842, fl. 1809-1845)

He found drawing buildings, cities and landscapes an immense joy. His works can be described as finely detailed steel engravings. Bartlett illustrated a book known as American Scenery, published by George Virtue in London in 30 monthly installments (1837-1839).

Thomas Dugdale (flowers 1880-1952)

In addition to being a highly regarded illustrator, he was also a famous painter. This London artist became extremely popular for his topographical illustrations.

Henry Gastineau (flowers 1791-1876)

He was a famous topographer and landscape painter. He was greatly fascinated by the many churches, castles and other buildings and the wide range of views in Wales was reflected clearly and in detail in his works.

Francis Grose (flowers 1731-1791)

Grose was very fond of ancient monuments and traveled throughout England to draw inspiration for his illustrations. His work known as The Antiquities of England and Wales (1772) was very popular. The main purpose of this book was to acquaint people with antiquities.

William Tombleson (flowers 1795-1846)

Tombleson’s topographical works on the upper and middle reaches of the Rhine in Germany and on the Thames in England became extremely popular. His creations appeared in publications such as: A Series of Views of the Most Interesting Remains of the Ancient Castles of England and Wales (1823) and Views of the Seats of Nobles and Gentlemen (1824).

Thomas Shepherd (flowers 1792-1864)

Shepherd’s topographical works were characterized by attention to detail, and he also illustrated people, horses and carriages with great pleasure. Some of his work can be seen in publications such as Metropolitan Improvements: London in the 19th century (1827) and London and its Environs in the Nineteenth Century (1831).

William Finden (Floruit 1787-1852)

Findin was an English line engraver. His works were very popular because of his neat style and smooth finish which gave his work an attractive look. His popular works include: a series of fifteen parts entitled The Gallery of British Art (1838-1840) and a series of landscapes and portraits on the life of Byron (1833).

Kate Greenaway (floruit1846-1901)

She was very popular as an illustrator of children’s books and the extraordinary charm of her illustrations won great recognition from a huge number of people. Her first published book, Under the Window (1879), was a huge bestseller. She has illustrated for many publications and her work is quite extensive

Cicely Mary Barker (Floruit 1895-1973)

As an illustrator, she became famous for her series of fantasy illustrations depicting flowers and fairies. Her many books include Flower Fairies of the Spring (1923) and Summer Songs with Music (1926).

Leslie Ward (spy) (c1886-1903, floruit 1851-1922)

Vanity Fair regularly published his work under the pseudonyms Spy and Drawl. His caricatures immediately attracted attention.

Carlo Pellegrini (flowers 1839-1889)

Pellegrini greatly influenced the younger generation and a good number of his works were published in Vanity Fair (1869-1889). Pellergrini’s caricature of Benjamin Disraeli was the first lithograph to appear in Vanity Fair. This really paved the way for color caricature in British magazines.

Joseph Mallord William Turner (floruit1775-1851)

The whole world recognizes him as an artistic genius, and experts describe him as a master of depicting the moods of nature. His mature style can be seen in ‘Rain, Steam and Speed ​​- The Great Western Railway’ (1844) as well as ‘The Burning of the House of Lords and Commons’ (1835).

William Westall (Floruit 1781-1850)

His affinity was especially for the landscape, and he really liked to enjoy the luxury of artistic splendor in its best light. He was a follower of the picturesque aesthetic ideal and some of his works were included in Foreign Scenery (1811) and Brittania Delineata (1822).

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